Height
0%High-frequency presence and vertical space utilization for enhanced listening experience.
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De-ess health for the 4-10 kHz "ess/sh" band. Higher is better controlled
Share of total spectral energy in the 4-10 kHz harshness region
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AI frequency analysis is not available.
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Gated RMS spread across the mix, excluding silence and low-level tails
Ratio of peak level to average level, indicating transient headroom
How much headroom exists between peaks and average RMS level
BS.1770 / EBU R128 program loudness. Streaming targets ≈ -14 LUFS
Spread between quiet and loud sections across the whole track
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Program loudness (BS.1770). Streaming target ≈ -14 LUFS
Inter-sample peak (4× oversampled). Keep ≤ -1 dBTP for streaming
Macro-dynamic spread across the track
Samples at/above full scale (0 dBFS)
Constant bias that wastes headroom; should be absent
Each platform normalizes loudness — here's the gain it will apply and whether your true peak clears its ceiling.
Residual background level; lower (more negative) is cleaner
50/60 Hz electrical hum from grounding or power issues
High-frequency noise level in the 8-16 kHz band
Container and codec identity from file metadata
Highest frequency carrying meaningful energy
PCM bit depth from file metadata; N/A for lossy codecs
Probabilistic signal for whether this track may be AI-generated.
Read our guideThis local detector scans track sections for neural-vocoder artifact patterns and returns an estimate, not proof.
Probabilistic origin signal, not proof of authorship
Distance from the local model's uncertain middle range
Track sections scanned for neural-vocoder artifacts
Local detector is binary unless a future model adds source IDs
Genre target profile used for the comparison
How your loudness compares to the genre norm
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How similar left and right channels are; 1.0 = mono, 0 = uncorrelated
Balance between center (mid) and stereo (side) content
How much stereo content survives when summed to mono
Measures the distinction between peaks and valleys in the frequency spectrum
Indicates how noise-like or tone-like your mix is, affecting perceived clarity
The "center of gravity" of your sound's frequency spectrum
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Estimated tempo (beats per minute) of the track
Richness and variety of harmonic content in the mix
How consistently the track stays in the detected key
Rate of harmonic progression throughout the track
Median onset→peak rise time
Rhythmic activity (not scored)
Impact in the 40–250 Hz band (crest)
How intact transients are vs smeared/limited
High-frequency presence and vertical space utilization for enhanced listening experience.
Front-to-back layering and spatial positioning for immersive soundstage.
Stereo field stability and balance across the frequency spectrum.
Diagnostic
Interactive feature field
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Phase coherence when summed to mono
How well the mix translates on headphones
How well the mix translates on speaker systems
How mixed or pure the genre characteristics are
Detected tempo contributing to genre classification
Detected key for harmonic and style context
Percentage of track containing vocals
Number of detected vocal sections
Quality and definition of vocal content
Note: AI-generated or synthesized vocals may show atypical gender characteristics. Voice classification is based on acoustic properties and may not reflect the intended voice type.
Complexity of instrumental arrangement
Harmonic vs percussive content balance
Variety of detected instruments
Overall energy and intensity of the track
Emotional positivity or negativity
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Generic advice“Tame the harshness around 2–4 kHz.”
Plugin-aware · example“In FabFilter Pro-Q, set a dynamic bell around 3 kHz so it only cuts when the harshness shows up.”
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See how this track stacks up against a reference — frequency, dynamics, stereo, and more.
Envie um mix finalizado, uma demo ou um master e receba uma análise estruturada no navegador. O analisador verifica equilíbrio de frequências, dinâmica, largura estéreo, loudness, true peak, transientes e clareza para você encontrar problemas técnicos antes do lançamento.
Encontre mascaramento, agudos ásperos, graves fracos, imagem estéreo estreita e dinâmica irregular, com observações práticas para a próxima revisão.
Confira LUFS, true peak, faixa dinâmica, equilíbrio tonal e como o áudio soa em diferentes sistemas antes de enviar uma faixa para distribuição ou para um engenheiro de masterização.
Use o Mix Analyzer quando precisar de feedback rápido sobre vocais, bateria, baixo, campo estéreo e equilíbrio geral.
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